The Requiem in D minor of Wolfgang Amadeus Mozart is one the most treasured and oft-performed sacred works in the classical repertory. Revered as one of the works that Mozart was commissioned to compose as he lay on his death bed, its poignant and inspiring message flowed from the pen of the great composer as he was dying, producing some of his greatest and final musical moments. It has been beloved of performers and audiences alike for almost 250 years.
On Saturday November 1 and Sunday November 2, The Vermont Choral Union will offer an unprecedented opportunity to Vermont audiences: The occasion to experience this monumental work as it would have been heard at the time it was composed. The L’Harmonie des saisons period instrument orchestra collaborating with The Vermont Choral Union will be presenting the work, for the first time in our region, with period 1780’s instruments. Those listeners who have experienced baroque repertoire presented with period instruments are well-acquainted with the dramatic differences in the sound of period instruments being played. The same extraordinary difference is heard when the works of classical composers such as Mozart, Haydn and Beethoven are performed with period clarinets, bassoons, trombones, trumpets, tympani and strings such as are found in the Requiem. Although the work is frequently presented by modern instrument orchestras, it is a rare opportunity indeed to hear such a beloved and familiar work presented in such a surprising and illuminating manner, with period instruments, period vocal style, and performing forces appropriate to the era.
The Vermont Choral Union and Ensemble L’Harmonie des saisons will feature four internationally renowned vocal soloists in their performances, all under the direction of Eric Milnes.
Myriam Leblanc, soprano
Rocky Duval, alto
Philippe Gagné, tenor
Sumner Thompson, baritone
